Thinking About Getting a DSLR Camera

For those of you who aren’t regular readers of my blogs, let me start by saying that in one of my earlier career lifetimes I was a sports photographer. My training with photography was with SLRs (I preferred Nikon FE-2’s) and fast lenses—that is, the lenses were able to be used in lower light conditions than the usual consumer versions. I rarely used a flash cameras01-img_4038-240and honed my skills to be an available-light photographer. My photography career had wound down some years before digital cameras became the norm for professional photography. As a result, I had no career-based need to invest in new equipment.

As you all know, film is dead. It was clearly on its way out more than a decade ago when I got my first digital camera. Because there was not then (or will be) a digital back for my old SLRs, and because the usable DSLRs at the time were freakin’ expensive, I had to decide on a point-and-shoot. I’m now on my third, and it’s definitely showing its limitations.

It also doesn’t help that a couple of years ago a friend (and former boss) of mine asked me to help out part time at her photo studio. While it could be dastardly hard work on some high-traffic days, I did get to be reacquainted with professional-level equipment. The camera of choice was a Nikon D-70s. It felt like an old friend from the minute I held it. A Nikon today still feels a lot like a Nikon of yesterday.

Let’s fast-forward to last November (two months ago). Tess* had asked me to take some headshots of her. My photographic tools were my point-and-shoot, Photoshop, and my experience. Though I never tire of spending time with any of my DLTs, from a task point of view the entire shoot was one of constant frustration. I just didn’t have the right equipment. Never mind the camera (a big never mind, by the way), but I also didn’t have the lighting or the assistants I was used to having on a model shoot. Nope, I was going to have to find a balance for the raw shots and then rely on my years of Photoshop experience to correct my intentional “mistakes”. Here’s an example:

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Perhaps my biggest headache was focus. Point and shoots are notorious for not being manual-focus friendly. As a result, I had to rely on the auto-focus. On this day, auto-focus kept wanting to focus on the wrong thing, and wasn’t being very cooperative with holding a locked focus. Because of this, the unplanned Photoshop fix was adjusting the focus of foreground to background.

Surprising to some was the lighting. I didn’t have the equipment to do a proper fill using either lights or flash, and I didn’t have the personnel to hold up several reflectors, so I intentionally exposed for the background while leaving Tess in the shade, underexposed. Had I exposed for Tess, the background would have totally washed out, becoming much too white. The fix in Photoshop, though the masking was a little tedious, wasn’t very difficult as I’d had the foresight to shoot gray cards so that I could color-correct in my digital darkroom.

Most of the “usable” pictures from that day fell into the same category: having to compensate for the equipment I had available. As you can see from the “after” image of Tess (on the left), in the end things turned out OK.

Still, the exercise really brought to a head the fact that not having a DSLR hampers some of what I want to do. For those times when I’m taking snaps, my point-and-shoot is great. In fact, it’s probably more than I need what with the image stabilization and all.  But even though I don’t do it for a living any more, I’m still asked a few times a year to take photographs, not snaps.

Or course we can’t ignore the fact that I have a frequent need for good reference photos for my art works as well as good studio photos of works both finished and in-progress. While the photographs of finished pieces suitable for printing I source out to a really good imaging studio, and will continue to do so, there are all of those interim pics that could benefit from the bump up in equipment.

photog01-240And lastly… I’d like to start shooting some sports, again. Though my body won’t take the pounding of the beat photographer anymore, that doesn’t mean that I can’t shoot some games here or there. I live by a high school, and I see the young athletes participating in sports all the time from across the way. Whether it’s soccer, tennis, softball…what have you, every time I see them play I want to grab my camera bag, go over to the playing field, and snap a few hundred pictures.

But is all of that enough? DSLRs aren’t exactly something I can buy on a whim (certainly not in the current economic climate). I have to consider not only the wisdom of the act, but also the value. If I do decide on going the DSLR route, then the first decision is: Canon or Nikon?

I have to say, that from the outset I’d lean toward Nikon. As I mentioned, most of my shooting was with Nikons. The trick is that for equivalent functionality, Nikons tend to be a bit more expensive than Canons. On the other hand, those very same Nikons receive a lot of user comments about how they feel more solid and robust than an equivalent Canon.

Then I have to figure that I still have a few lenses and other accessories from the old days. I have an 85mm f/1.4 portrait lens that would be killer on a new Nikon body…provided the camera had a full-frame sensor (i.e. equivalent in size to a frame of film). It’s not likely I’m going that high end for a camera body, so my 85mm would likely become a 128mm equivalent (as a result of the smaller sensors in non-high-end cameras). Still a good length for a portrait lens, but not in the sweet-spot. The down side is that I have to go 100% manual with these old lenses, which means I’d have to get a new exposure meter as well (the batteries for my old one are now very hard to find and have to be special ordered). I was reading that there is an adapter so that the old Nikon AI lenses could be mounted on a Canon DSLR body. Not sure how well that would work. I need to do more research.

At this point, it’s almost a pick’em, although Canon does have more lower-cost options than Nikon does. Canon is also easier to find in stores both on-line and off-line.

My family tossed out a suggestion that I sell my old photo stuff. After all, I’m not using it. That would be a difficult decision. I think, no matter what, I’d still keep my primary Nikon FE-2 body. That one saw me through a lot (it’s also the most banged-up). If I go with a Canon DSLR, I could see maybe selling off some of what remains of my equipment. It’s not really a bad idea.

But, like I said, there are a lot of things to think about—not the least of which is the economy. Is this the time to be making this sort of purchase? I’m not going to make a decision in the very near future. I’m going to want to think more on it. If y’all have any comments or suggestions, I’d be more than happy to field them.

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